Exhibition Pictures

So, at last here it is in situ under the church tower.  I decided to call it 'Glimpsing the Storm' to make the connection with St Nicholas as patron saint of sailors. I rather like the way it has no visible support from the front as the pole is hidden.

You can also see 'Cogitation' on a low stand and other pieces hanging on boards - you may remember some of these from earlier posts.  And the good news is that one of the collages has sold.

Exhibition Details

Exhibition Mon August 9th to Sat August 14th

St Nicholas church, Westgate Street, Gloucester, GL1 2PG

I will be showing my hanging and some other pieces, there is also a quilt exhibition called 'Quilted Jewels' and engravings by Sarah van Niekerk.  The church is very near the cathedral and will be open 10:30am to 4:00pm each day and admission is free, however it is being used for a lecture on Monday 9th at 1.30pm and  a concert on Weds 11th at 2.00pm.  This exhibition is part of Three Choirs Plus running alongside the Three Choirs Festival so there will be lots going on in Gloucester all week - well worth a day trip if you are in the area.  See http://www.3choirs.org for more info

Still no pics of the finished item  - somehow whenever it is not raining (or threatening to rain) it is really windy so I can't get the hanging to keep still.  I will try and get some good shots in situ.  Meanwhile, back to double and triple-checking everything is ready.

Keep forgetting to take photos...

..of the ATCs I have been making for the monthly swops.  Finally remembered for the June ones so here they are - the theme was black and white plus one colour.

 I have also been keeping busy fiddling with my daughter's Irish dance dress.  I got it secondhand and knew it needed a bit of TLC, but when I looked inside, I realised that under the layer of organza is a glorious fluorescent orange.  So I decided to cut away the top layer...

..and I am still doing it.  It would probably have been quicker to have made a new dress!  I am also making some headbands for the ceili team, I will show you when they are done - expect bling!

Distant Stitch Summer School

I can't believe it is over a week since the Summer School at Urchfont, I have been hard at it since I came back sorting out all my bits.  I have been very good this time and spent an afternoon at home making up my sketchbook with notes and samples.   Ruth Issett was an excellent tutor and worked us very hard, and it was wonderful to meet up with old friends and some I only knew online.  As an icebreaker, we had a mystery ATC swop - here's the one I made from a photo of the London Eye with a little floral graffiti added.

We had a group discussion about the etiquette of photographing other people's work and how much it is fair to write about workshops on our blogs, so the pictures only show my own samples of printed fabrics.  To see more, try following the links on the right as some of my fellow students have published their own pictures.

From these bits and pieces, I made up this design

I have also (definitely this time) finished the hanging after taking some advice from Sian, and sorted out a way to hang it so that it is freestanding and the pole doesn't show - looks a bit like an Indian rope trick. Plan A was to take some pics in the garden to show you, 'cos it's a bit big in the house, but after weeks of fine weather the wind and the rain have set in, so we will have to wait.  It may take some time...

A Hanging - but is it finished?

I've spent the last week attacking the hanging with pin tucks.  I laid it on the floor to see how it was going and took a photo.

Photo 1

 

 

 

Then I put it on the table to start sewing - it was scrumpled up to keep it from hanging over the edge and I realised it looked much better like that, so I played with it on the floor and decided I prefer the way it looks  - see below.

Photo 2

OK not really like a crack but nice and stormy.  Does it still count as a hanging if I display it on the floor?  It is a lot shorter like this - about 1.5m.  Not sure if it is finished so I am going to put it aside for now - I will be seeing Sian at summer school and get her advice.

A quick plug for anyone who doesn't already know - the Urchfont Manor open day is on Sunday 4th July and there will be exhibitions of work from the various textile courses there, including Distant Stitch students as well as traders.  I will be there all day so come and say hello.  The manor is set in its own grounds in  the village of Urchfont near Devizes, Wiltshire and is a lovely place for a day out especially if the sun is shining.

Following a Theme

I have just been sorting out pictures from a half-term trip to Sussex and realised these ones from Pevensey Castle kind of fit in with what I have been doing.

Thoughts on Colour

I had been thinking for a while that there was not enough difference in the tones of the colours on the hanging, so yesterday I used Markal sticks to lighten the large pale patch and touch up other areas and then carried on stitching.  The pictures below show in greyscale the untouched fabric and its current state - not a huge difference but a bit more contrast.  It also shows how the shadows from the tucks are adding darker areas - for now, I am leaving the lighter part untouched.

Untouched fabric

 

After painting  and some tucks.

Brief for Site Specific Hanging

The Brief

To produce a hanging for an exhibition at St Nicholas Church, Gloucester as part of the Three Choirs Festival in August 2010.

The Site

St Nicholas is a church located in the centre of Gloucester, a short walk from the cathedral, and dates back to the 12^th century. It is no longer used for services but remains consecrated and is open to the public in spring and summer, frequently hosting art exhibitions. The church is noted for its pronounced lean which can be clearly seen when you stand in the nave – the pillars on the north side lean outwards as does the archway. During the week-long festival, there will be an exhibition of quilts in the centre nave and other artwork under the tower, along the north wall and on pews - this is where the hanging will be. The church will also be used for a number of music workshops and concerts.

Special Considerations

As this is an historic building, there can be no alteration or damage to the fabric of the church i.e. it is not possible to attach hooks or nails to the walls, although anything already there can be used. However, the curator is happy to tie items around the pillars, throw lines over beams or existing cables or hang very large artworks from the tower. In addition, there is a hinged pair of six foot hanging screens available and items can be placed on the floor under the tower, propped against walls and placed on pews.

The building is consecrated so although artwork need not be religious, it must not be offensive or disrespectful of the Christian faith.

St Nicholas Church from Westgate street.

Floor Plan

South window

West Window

My proposal is to place the hanging under the west window - the distance from the windowsill to the floor is 3m - so that it can be seen from the nave.  As I mentioned before, I am hoping it will resemble a crack showing the storm/chaos outside.  The next picture has been reproduced with permission from stnicholaschurchuk.webs.com/ and I have superimposed an image of the hanging to show how it might look.  When I met the curator, we discussed draping it from the windowsill and tying to a hook that is already there but as an alternative if this doesn't look right, I have a telescopic pole which will support it without showing (the kind you see at festivals with banners or windsocks on).

Mock-up of hanging in situ.

Following on from my earlier posts, I have decided to pursue the idea of using tucks to emphasise the design.   As it would be difficult to back the hanging after it has been distorted, I tried another sample with a dark backing to see that the effect with two layers is still what I want.  It does make the tucks appear softer, so in the sample shown below I tried slashing them to add some drama.  You can also see in the lighter section that I experimented with kantha stitching but felt it was too organised

Sample showing slashed tucks on left.

The last picture shows how I have started adding tucks to the bottom half of the hanging  - even with only a few in, you can see how it is starting to change shape.  When I have done some more, I will decide whether to slash some or all and possibly add more colour behind to show through in places.

Photos from Stroud

Last week, I spent  a day in Stroud touring various venues at the Textile Festival.  As well as looking at the exhibits, I fell in love with this restored clock which stands in a window at the Museum in the Park.

Thinking Aloud - Ideas for Hanging Part 2

Photo 1

My alternative idea for the hanging involves manipulating the long length of fabric.  Sian suggested looking at gathering or pin tucks so photo 1 shows two trials of gathering with deliberately uneven rows of stitching pulled up tightly. The top one is an offcut with the stitches running vertically, the bottom is one end of a 'spare' full length with stitches running horizontally.  I like the effect but it has two problems - 1) drastically reduces the size and 2) could be any randomly dyed fabric.

Photo 2

Before leaving the samples, I rubbed Markel sticks over the second one (top in photo 2) and then undid it (photo 3).

.Photo 3

Phot 4 shows how it looks when the fabric has flattened out - you can just see streaks of paint.

Photo 4

This didn't look very impressive but it gave me an idea to try random pintucks as I liked the scrunched up effect before the gathers dropped out.  Photo 5 shows a sample  on the same piece of fabric.  I tried to use the pintucks to emphasise the curves in the design.  I realise I forgot to show the scale in this photo, but the fabric is 34cm wide before stitching and the photo shows about 60cm of the length.  The colours have slipped in this picture, in reality it is more of a green/blue.  Photo 6 shows more of the length with the stitched part at the top.  I think this is my favourite as it keeps the design but makes it more dramatic.  Although it will change the shape, it should be possible to retain the general proportion.  I think the shaped edges will make it look more like a crack in the wall (or floor), contrasting the serenity of a church with the storms and chaos outside.

Photo 5

Photo 6

Thinking Aloud - Ideas for Hanging Part 1

Photo 1

Back in February, I showed pictures of stitching on a small sample of my design that had been printed by Spoonflower.  I was excited by this so I went ahead and ordered a full length, knowing it would take about 2 weeks to arrive.  Because the design is narrow, it was repeated across the width of the fabric and I choose to mirror it so I have the original, a mirror image and about 2/3 of the width of another copy as it didn't quite fit 3 times.  As the image is not an exact multiple of 1 yard, I also have a partial repeat of the top.  Photo 1 shows the design at full size laid out on the floor.  Meanwhile I had got some feedback from Sian who suggested I try to incorporate more texture and take advantage of the dimensional possibilities.

I spent some time (actually rather a lot) in total inaction because I liked the length of fabric just as it was, and I had to convince myself it would be okay to change it.  I finally screwed up my courage and started cutting up the copies, reminding myself that nothing would be wasted as I can always use more patchwork cushions and the sofa is blue, so that's fine.  I know I should probably play in paper and do drawings but it isn't the same.

As I was feeling stuck, I tried two different ideas simultaneously to see where they would take me.  This post follows one and the next post will follow the other (just as soon as I retrieve my camera from being used for a school project by number 2 daughter).  I have also revisited the planned site with the fabric and measured up and taken photos, so I can produce a  room plan and show how it would look.

So - photo 2 mirror image cut into strips.

Photo 2

Photos 3 to 6 strips laid on top of original in different arrangements.

Photo 3

Photo 4

Photo 5

Photo 6

Photo 7 - strips sewn together

Photo 7

Photo 8 - here I cut up the excess fabric into smaller rectangles and laid them on the main design, matching the colours and adding a couple of pieces of bronze painted fabric (see earlier post about adding bronze to represent astronomical instruments).  For scale, there is a 10p coin in the bottom right corner (1" diameter).  This and the following photos are 'sketches' which could be continued up to full size.

Photo 8

Photo 9 - similar to 8 but on a plain background.

Photo 9

Photo 10 - This time I arranged the bits in colour order from dark at the bottom to light at the top, completely breaking up the image, but I think keeping the sense of movement in the fragments.  Could be seen as reaching up to the light. I would need to reintroduce the purple/lavender shades as this bit is just blues shading to charcoal.

Photo 10

Photo 11 - I finger-pleated some of the pieces in different directions to make the surface more interesting.

Photo 11

Text for Module 4 Chapter 1

It looks like the word files have disappeared into the ether leaving only rough drafts behind them so here are photographs of the pages in my folder with my notes on flowers in Elizabethan and Russian embroidery.

Module 4, Chapter 1

Well, it has been an unintentionally long absence from blogging. Somehow in the last few months our household has managed to kill one computer and upset another so much it had to go back to the manufacturers, leaving us fighting over machines all claiming priority for our various homeworks. So I have ended up moving pictures and notes hither and thither to and from backup drives and jumping from one machine to another. I think we are finally straight now so I will try and get up to date.

Module 4 is themed on flowers, starting with a historical study of flowers in Elizabethan embroidery. Photo 1 shows a sheet of collected images.

Photo 1

For my foreign embroidery study, I have chosen to look at flowers in Russian embroidery and how they have been represented over 300 years - photos 2 to 4 show the study sheets for this. I was going to cut and paste the typed notes that go with these but cannot find the files at the moment so I will come back to this - I may have to photograph the printed copies from my folder.

Photo 2

Photo 3